In this panel the lines are put next to each other and complete a similar one on each side of the drawing: it is a “stripped Kandinsky”. Four targeted essences are repeated: Eucalyptus, Ash, Lati and Oak. Everything inspired by a correct balancing of metal and wood, the metal line describing an S highlights the sequences, as a cut in the middle of the canvas recalling Fontana. The metal triangle is an optical starting point: by turning the composition and matching the panels you create a very wide geometry.

The inlay is available without metal inserts.